I know, I know. And I feel bad, OK?
I have horribly neglected, unforgivably neglected this blog. But hear me out. That’s all because I’ve been working hard on a PhD about none other than… Mr. William Friese-Greene. My phone is full of blog post ideas, many of which I was sure I was going to write. But there was always some other writing, more urgent writing, to do. It’s not as though I haven’t been putting anything out there, though. For instance:
I was interviewed for a podcast about my top films of the beginning of cinema, in which I revealed a major new Friese-Greene discovery.
I wrote a whole set of articles about Mr. F-G for Bristol Ideas, as well as making a couple of videos and contributing to two books.
I spent several months on a Smithsonian Fellowship in Washington DC, investigating the Early Cinema Collection of the National Museum of American History and did an online colloquium about it.
I’ve given quite a few other talks too.
I’ve co-authored a book about Birt Acres, another important film pioneer who shot the first 35mm film in Britain. The book will hopefully be out June 2025 (at an outrageously high price, because it’s an academic publication).
And there have been other things as well…

Mr. Friese-Greene in hiding. Find out more in the article
But at this moment, what I am MOST EXCITED ABOUT is that my first academic article is now published, online and available to read. In 2018, I gave my first ever public talk about William Friese-Greene, entitled “William Friese-Greene & the Art of Collaboration“, which can still be seen on YouTube, at the lovely British Silent Film Festival Symposium (BSFFS). It looked at how Friese-Greene worked with and acknowledged his collaborators, contrasting this with others in the field of moving pictures who did not.
A plan was hatched to create two special editions of an academic journal (with the catchy name of Early Popular Visual Culture) with highlights from years of the BSFFS, and mine was one of the subjects chosen. I wrote a first draft in 2019, but many things delayed these special editions. Then, in 2021, I got funding to do a PhD and the article evolved and changed considerably. It also grew into something quite substantial.
But now, at last, it is finished. Not only that but, unlike most academic journal articles, which are behind paywalls, everyone who wants to can read it. This is thanks to the support and generosity of De Montfort University (my current intellectual home) who have paid the considerable fee to make it Open Access. This is the first substantial piece of new writing about the work of William Friese-Greene to be published in over 60 years. You could say that it’s a warm-up for the discoveries I am covering in my PhD.
I hope you can find the time to read it. I hope you find it interesting. Please leave comments if you do, to say what you thought or ask me things. Here it is:
WILLIAM FRIESE-GREENE & THE ART OF COLLABORATION
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Thanks for your wonderful research. Looking forward to seeing many more of them.
I worked professionally in motion pictures, mostly in animation and visual effects.
When I was a teen-ager I came across copy of F A Talbot’s book in a Los Angeles bookstore. I was interested in trick photography and this was my introduction to Robert Paul. I already knew about Melies and Reynaud. My introduction to Friese-Greene was, of course, The Magic Box. Thanks for correcting the record.
In your Smithsonian talk, you showed some of the 4-frame photographs of Friese-Greene making faces. I love the look of them. This reminded me that I had animated a series of Photo-Booth sequential photographs of my mother taken in the 1930’s. She was modeling a new hat and turns her head from side to side a bit more in each photo to show it off. My mother, father, aunt and uncle also posed in Photo-Booths. I’ve animated all of them. If you’re interested, I’d send you examples, just for the fun of it.
Bob Swarthe
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Hi Bob
Thanks so much for your interest and kind comments. And yes, I would be interested in seeing those Photo-Booth sequences – please get in touch via the form on this page (or the Contact Me tab).
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Thank you for this dissertation regarding Willian Friese-Green – really quite interesting and educational. For info, I am the baby shown in the attached photos. He was my God father but I don’t recall much now. regards Vince Gravenor PS my parents were Squadron Leader Hugh and Esme Gravenor and we were then living in the Grimsby area back in 1941
[image: image.png] [image: image.png]
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Thanks for your comments, Vince. Unfortunately it seems that WordPress doesn’t allow you to upload photos in a comment (or there’s something I need to do so that can happen, which I am unaware of).
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